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In a latest episode of Mazaaq Raat, acclaimed actor Mohammed Ahmed opened up in regards to the prevalent development of poisonous content material that dominates the preferences of a good portion of the viewers. Ahmed delved into the repercussions confronted when a story deviates from this style, shedding mild on the challenges confronted by artists in such circumstances. Moreover, he candidly addressed the difficulty of repetitive roles that he has encountered all through his profession.
The veteran actor talked in regards to the connection between scripts and viewers scores. “When, within the serial, the lady was being overwhelmed, the ranking was excessive. On this episode, on the eighth minute, the lady held her mother-in-law’s hand and proclaimed that she’s going to now not be overwhelmed – the ranking fell. Because of this our viewers, like routine drug addicts whom you’ll be able to’t fault, is used to this. You retain giving them an oppressed, overwhelmed lady or a love triangle, and the viewers shall be completely happy.”
Persevering with additional, he stated, “As quickly as you give the lady energy, or present her being robust the viewers adjustments the channel.” When requested by Chaudhry whether or not this sample was a microcosm of the bigger sociopolitical state of affairs, Ahmed agreed. “It’s like this. We’ve a behavior of beating ourselves up. We like crying. Tragedy is crammed inside us. Making our individuals chuckle could be very troublesome. However our individuals cry simply.”
When requested about his doing and seeing altering roles on tv, Ahmed said, “I turned used to this – in each serial, I needed to cry, after which die within the 18th episode. Both the twelfth or the 18th,” prompting laughter from host Vasay Chaudhry and the viewers. He went on to state, “Once I stated that I’ll now not die, they forged me in a serial through which I wanted I used to be useless.”
Ahmed additionally said that if one is a author, one ought to chorus from writing, on condition that sure approval-giving our bodies is not going to let that content material be actualised. “We will need to have the behavior of claiming sure,” he said solemnly, with undertones of sombre sarcasm.
Ahmed’s trustworthy and insightful remarks make clear the broader concern of content material preferences and inventive limitations prevalent within the leisure trade. By addressing these considerations, he has sparked a big dialogue in regards to the want for recent narratives, significant character improvement, and the significance of embracing various storytelling.
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